Homo Novus 2013

Performances

Marking the 10th anniversary of Homo Novus, we have gathered 11 Latvian artists from various genres for a production of new small scale performances, installations or actions. These works will be based in the British theatre scholar Alan Read’s theory of “theatre as the last human venue” and structured as an event, unified in time and space.

In his book ‘Theatre, Intimacy and Engagement’, Alan Read writes: “The last human venue marks the location and moment of human beings’ awareness of their own eventual extinction. Performance, on the contrary, explores ways in which performance operates as an exciter of sentience, kick-starting our sense of being alive, acting as a pleasurable lengthening of device to extend our inevitable faith. Humans in this venue distinguish themselves from other animals through their experiencing of an extended childhood, in their ability to sustain a controlled, unbroken outward breath and by their unique capacity to aesthetically disappoint.”

‘The Last Human Venue’ programme includes performances by theatre directors Pēteris Krilovs, Vladislavs Nastavševs and Valters Sīlis, and the exhibition by directors Andrejs Jarovojs, Viesturs Meikšāns, set designers Monika Pormale, Izoldes Cēsniece, Reinis Suhanovs, fashion designers MAREUNROL’S and artistic collectives Nomadi and umka.lv.

The Moscow Trials

Milo Rau / International Institute of Political Murder
3., 4., 6. September 17:00-21:00 Valdemāra Pasāža A. Briāna iela 9a |
7., 8. September 12:00-16:00 Valdemāra Pasāža A. Briāna iela 9a | Free entrance

Last summer, when the punk activists of Pussy Riot were sentenced to two years’ imprisonment in a penal colony for their performance in the Moscow Cathedral of Christ the Saviour, the world reacted with widespread protest rallies. Yet this was only the latest episode in a ten-year series of show trials of artists and dissidents, staged by Putin’s system to prevent any form of democratic change. Rau thematises this issue by drawing on the techniques of political theatre: from March 1 to 3, 2013, a courtroom was set up at the Moscow Sakharov Center to provide a stage for a three-day show trial that pitted the different sides of the cultural war waged in Russia against each other. Yet the people on stage were no professional thespians but real-life actors: artists, politicians, church leaders, real lawyers and a real judge. A jury composed of seven Moscow citizens finally handed down their sentence – an acquittal, albeit by a narrow margin, for the artists. Homo Novus festival invites to experience the documentation of The Moscow Trials exhibited in the format of 6-channel video installation.

About artist

Journalist, researcher and stage director, Milo Rau (born in Switzerland in 1977) intertwines all his skills to “make major historical events accessible to spectators”. Whether he decides to evoke The Last Hours of the Ceausescus (2009), the massacre on Norwegian Utoya island (Breivik’s Declaration, 2012) or, most recently, the conviction of the Russian feminists Pussy Riot (The Moscow Trial, 2013), this young Swiss artist always works in a rigorous way. With the members of the International Institute of Political Crime that he founded in 2007 between Berlin and Zurich, he plunges into painstaking research for each of his projects, multiplying encounters with witnesses from the period, consulting all the archives available on the subject to present aesthetically worked-out reconstitutions of them.

Credits

Concept and Direction: Milo Rau
Video: Markus Tomsche
Sound: Jens Baudisch
Stage: Anton Lukas
Drawings: Victoria Lomasko
Assistant Director: Yanina Kochtova

3., 4., 6.

September

17:00-21:00

7., 8.

September

12:00-16:00

Valdemāra Pasāža

Free entrance

Language

Russian and English

Duration

The video installation can be viewed at any time during opening hours

Supported by

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